After finishing the Monk series, I'm beginning on the Charlotte and Thomas Pitt series. In this first one, Charlotte is living in her parents' home with older sister Sarah and her husband Dominic, with whom Charlotte has long been infatuated, and younger sister, Emily, who has her eyes set on marrying up. She's got her eyes set on a very handsome Lord, who has a few faults which Emily will change. In 1881, Papa, Mama, and Grandmama control what their daughters do ("Go to your room, Charlotte!"), and attempt to control what they think. A string of murders, all with the same MO, occur in their upper middle class neighborhood. This crime spree brings into their homes Inspector Pitt of the police, a definitely working class man who is seen as an intrusion the family, their servants, and their neighbors try hard to hide things from. Charlotte, the black sheep of the family because she can't keep her mouth shut or obey all the rules of society, is intrigued. Pitt's intrigued with her too. In the end he finds the serial killer, who's a real surprise. Unfortunately, it's too late for many good women in Cater Street. This first in the series is a real cut below the Monk series, in my opinion. There's a sarcastic tone to the writing, and a lack of the moral point to each one of the Monk books. I'll read a few more before I give up on them, however. I do like the rounded characters of Charlotte and Pitt a great deal, and enjoy the historical accuracy of the time period, 25 years after the beginning of the Monk series.
Genteel Charlotte Ellison meets Thomas Pitt, a gruff and charming police investigator who is far below her social station.
Young women are being garroted on Cater Street, and the neighbourhood is abuzz with fear and gossip. When each girl dies, her morals are brought into question, because only immoral girls could find themselves in the situation to be murdered in Victorian London.
Charlotte is the middle daughter from a good, middle class household, and when their maid becomes the next of the murderer's victims, she begins to ask questions that are considered impertinent by those around her. All except for Inspector Pitt, the police officer in charge of the investigation. He finds Charlotte's questions, and looks intriguing.
A gentle exploration of class and morality in Victorian London.
I read this when it first came out in paperback, and then collected the series for a number of years (I stopped after 12 or 15) - I also started on the Monk series and collected it - I stopped both about the same time
This series of murder mystery books is set in London, England in the late 19th century. It follows the exploits of Charlotte Pitt and her husband Thomas as they go about investigating murders. The books focus on Victorian society and the historical detail in each novel is excellent from the politics of the day to how one is to act in proper society. Great books for those who also enjoy historical fiction.
The Ellisons are a well-to-do Victorian family in a proper London neighborhood. Papa Ellison has a stiff upper lip and Mama is the all the right stuff Victorian ladies are made of; daughters Sarah, Emily, and Charlotte have a bit more spunk. Sarah, the eldest, is married to easy-going, easy-on-the-eyes Dominic while youngest sister Emily has her sights set on making a match of the finest quality. For Emily, it?s handsomely rich Lord Ashworth or bust, even if love doesn?t quite enter the picture. Middle sister Charlotte is the black sheep of the family. Her looks don?t compete with those of her fair, delicate sisters (darker hair, eyes, and complexion were decidedly not up to the high standards of Victorian feminine beauty), and she speaks her mind entirely too much and too easily for a young woman of good breeding. But these become minor issues when a series of murders suddenly plagues the Cater Street neighborhood where the Ellisons live. Women are being brutally strangled, and not only is this terrifying news in its own right, but murder is not the sort of event that attracts respectability. The Victorians loved a good scandal?but only, of course, when it happens to other people. Enter Inspector Thomas Pitt, an upstart of the first order who is far too scruffy, demanding, and familiar (especially with hot-tempered Charlotte) to tolorate, even if he is the police officer in charge of the case. But it cannot be denied (especially by Charlotte) that Pitt is intelligent, insightful, and even, given half a chance, sensitive. Romance has little time to flourish here, for the Cater Street Hangman is at large and the lives of the neighborhood?s fine young ladies?including the Ellison sisters?are very much in danger. Mystery writer Ann Perry pens a serious, atmospheric mystery that is rooted in historical details of London circa 1881, foggy nights and narrow alleys not to be excluded. Perry?s characters (most notably Inspector Pitt, plus a few select members of the Ellison family, not to give too much away) challenge the Victorian notions of class and gender which, of course, inspires the drama, action, and suspense that makes this Victorian mystery series one of the longest running and best loved of its kind.
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