The Extra Woman

The Extra Woman

How Marjorie Hillis Led A Generation of Women to Live Alone and Like It

Book - 2018
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WW Norton
You’ve met the extra woman: she’s sophisticated, she lives comfortably alone, she pursues her passions unabashedly, and—contrary to society’s suspicions—she really is happy. Despite multiple waves of feminist revolution, today’s single woman is still mired in judgment or, worse, pity. But for a brief, exclamatory period in the late 1930s, she was all the rage. A delicious cocktail of cultural history and literary biography, The Extra Woman transports us to the turbulent and transformative years between suffrage and the sixties, when, thanks to the glamorous grit of one Marjorie Hillis, single women boldly claimed and enjoyed their independence.Marjorie Hillis, pragmatic daughter of a Brooklyn preacher, was poised for reinvention when she moved to the big city to start a life of her own. Gone were the days of the flirty flapper; ladies of Depression-era New York embraced a new icon: the independent working woman. Hillis was already a success at Vogue when she published a radical self-help book in 1936: Live Alone and Like It: A Guide for the Extra Woman. With Dorothy Parker–esque wit, she urged spinsters, divorcées, and “old maids” to shed derogatory labels and take control of their lives, and her philosophy became a phenomenon. From the importance of a peignoir to the joy of breakfast in bed (alone), Hillis’s tips made single life desirable and chic.In a style as irresistible as Hillis’s own, Joanna Scutts, a leading cultural critic, explores the revolutionary years following the Live-Alone movement, when the status of these “brazen ladies” peaked and then collapsed. Other innovative lifestyle gurus set similar trends that celebrated guiltless female independence and pleasure: Dorothy Draper’s interior design smash, Decorating Is Fun! transformed apartments; Irma Rombauer’s warm and welcoming recipe book, The Joy of Cooking, reassured the nervous home chef that she, too, was capable of decadent culinary feats. By painting the wider picture, Scutts reveals just how influential Hillis’s career was, spanning decades and numerous best sellers. As she refashioned her message with every life experience, Hillis proved that guts, grace, and perseverance would always be in vogue.With this vibrant examination of a remarkable life and profound feminist philosophy, Joanna Scutts at last reclaims Marjorie Hillis as the original queen of a maligned sisterhood. Channeling Hillis’s charm, The Extra Woman is both a brilliant exposé of women who forged their independent paths before the domestic backlash of the 1950s trapped them behind picket fences, and an illuminating excursion into the joys of fashion, mixology, decorating, and other manifestations of shameless self-love.
From the flapper to The Feminine Mystique, a cultural history of single women in the city through the reclaimed life of glamorous guru Marjorie Hillis.

Baker & Taylor
From the flapper to The Feminine Mystique, the author presents a cultural history of single women in New York City through the reclaimed life of glamorous guru Marjorie Hillis.

Book News
When a friend of Brit Scutts gifted her with an old and forgotten bestseller from 1936 called Live Alone and Like it, by Marjorie Hillis, she quickly dropped everything to read it. Single, Scutts soon found herself cheating on her dissertation. Hillis’s book celebrates guts, indulgence, and independence, while also being funny and very quotable. She began to learn more about Hillis, the women and writer, who didn’t even have a Wikipedia entry. Beating Helen Gurley Brown to the punch, Hillis’s book has chapters such as: “Etiquette for a Lone Female,” and “A Lady and her liquor,” as well as sections on fashion, money, travel, and having affairs. Hillis, who finally married in middle-age, was realistic about every eventuality: “The chances are that at some time in your life, possibly only now and then between husbands, you will find yourself settling down to a solitary existence.” Cultural critic Scutts’s work of literary biography and cultural history rescues Hillis from oblivion. Feminist philosophizing, she cautions the reader to remember that marriage is always political—a rite of citizenship offered or withheld by the state—and there are still many powerful people who are afraid to allow women happiness, independence, pleasure, and the right to be alone—all rights Hillis claimed for her Live-Aloners.” Scutts traces Hillis’s bestsellers and influence over decades. Eight chapters with epilogue are: solitary splendor; “something to get your teeth into”; (not) a question of money; setting for a solo act; work ends at nightfall; mad about New York; Rosie and Mrs. Roulston; starting all over; epilogue. There are notes, a bibliography, and credits. Annotation ©2018 Ringgold, Inc., Portland, OR (protoview.com)

Baker
& Taylor

Presents a cultural history of independent single women between the 1920s and the 1950s through the reclaimed life of glamorous guru Marjorie Hillis.

Publisher: New York :, Liveright Publishing Corporation,, 2018
Copyright Date: ©2018
ISBN: 9781631492730
Branch Call Number: 305.42097 SCU
Characteristics: 335 pages, 8 unnumbered pages of plates :,illustrations, portrait ;,22 cm

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Frankster1
Jan 02, 2018

The title, "The Extra Woman" is a referenced to Marjorie Hillis's first book, and her life is the pivot around which the book evolves. The subtitle, however, is misleading, which is unfortunate because there is so much here that would have been better served with something else. "How Marjorie Hillis Led a Generation of Women to Live Alone and Like It" does not tell how the book covers the American obsession with self-help/personal growth books from the early 1900's on or how it follows the changing roles and expectations of American women from World War I to the 1970's. These two topics are so much more interesting than what the subtitle suggests, and the overview of the changes in the lives of American women (covering white middle and upper class only, as lower economic and non-Anglo groups were ignored in writings of this period) is well worth reading for its insight into how American society has arrived where we are today. I can understand my grandmothers' and mother's generations so much better having read this.

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